{"id":5833,"date":"2021-11-20T18:57:00","date_gmt":"2021-11-20T15:57:00","guid":{"rendered":"https:\/\/www.context-design.ro\/?p=5833"},"modified":"2021-11-21T19:57:59","modified_gmt":"2021-11-21T16:57:59","slug":"luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso","status":"publish","type":"post","link":"https:\/\/www.context-design.ro\/en\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/","title":{"rendered":"Luigi Snozzi: Toward a Contextual Modernism"},"content":{"rendered":"
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Text: Andrei Eugen Lakato\u0219<\/p>

Articol publicat \u00een revista \u201eArhitectura\u201d, Nr. 6\/2017-1\/2018<\/p>

www.arhitectura-1906.ro\/2018\/05\/workshop-la-monte-carasso\/<\/a><\/span><\/p>

\u00a0<\/p>

Luigi Snozzi: despre un modernism contextualizat.\u00a0<\/strong>Workshop la Monte Carasso<\/span><\/strong><\/p>

Argument<\/strong><\/p>

\u00cen luna iulie a anului 2017, \u00een localitatea Monte Carasso din Elve\u0163ia, s-a desf\u0103\u015furat un workshop ce a avut ca scop studiului lucr\u0103rilor arhitectului elve\u0163ian, Luigi Snozzi. Workshop-ul a fost destinat studen\u0163ilor Facult\u0103\u0163ii de Arhitectur\u0103 din cadrul Universit\u0103\u0163ii de Arhitectur\u0103 \u015fi Urbanism \u201eIon Mincu\u201d, care la cel moment tocmai terminaser\u0103 anul 3.<\/p>

De ce Luigi Snozzi? Deoarece este unul dintre arhitec\u0163ii elve\u0163ieni foarte cunoscu\u0163i pe plan european, a c\u0103rui edificii construite de-a lungul unei cariere ce se \u00eentinde pe o durat\u0103 de aproape 60 de ani, \u00eemp\u00e2nzesc teritoriul elve\u0163ian de limb\u0103 italian\u0103. Datorit\u0103 arhitecturii sale, dar \u015fi a interven\u0163iilor la scar\u0103 urban\u0103, Snozzi este considerat unul dintre liderii noii \u015ecoli de arhitectur\u0103 din Ticino, al\u0103turi de Mario Botta, Aurelio Galfetti \u015fi Livio Vacchini. G\u00e2ndirea lui Snozzi este marcat\u0103 de o puternic\u0103 leg\u0103tur\u0103 \u00eentre obiect \u015fi context (fie el natural sau cultural), cre\u00e2nd o arhitectur\u0103 dinamic\u0103, cu o viziune modern\u0103 \u015fi un vocabular arhitectural contemporan.<\/p>

\u00cen acest an, prin intermediul premiului ce i-a fost acordat, Gran Premio svizzero d\u2019arte<\/em> (Marele premiu elve\u0163ian \u00een domeniul artelor), lui Luigi Snozzi i-a fost recunoscut\u0103 \u00eentreaga contribu\u0163ie \u015fi activitate de pe scena arhitecturii contemporane elve\u0163iene.<\/p>

De ce Monte Carasso? Deoarece \u00een acest mic or\u0103\u015fel din cantonul Ticino, pe o suprafa\u0163\u0103 relativ redus\u0103, se pot g\u0103si o mare parte din programele arhitecturale studiate pe parcursul anilor de studiu 2 \u015fi 3, \u00eencep\u00e2nd cu o cas\u0103 \u00een mediu rural, o locuin\u0163\u0103 unifamilial\u0103 \u00een mediul urban, locuirea \u00een comunitate, locuin\u0163e colective \u015fi de asemenea echipamente publice \u015fi culturale. Toate aceste tipologii de locuire \u015fi programe arhitecturale se pot g\u0103si \u00een Monte Carasso, multe dintre ele fiind realizate de c\u0103tre arhitectul Luigi Snozzi.<\/p>

Monte Carasso, o comun\u0103 cu aproximativ 2.500 de locuitori, reprezint\u0103 de fapt opera de-o via\u0163\u0103 a lui Luigi Snozzi, fiind un foarte bun model de interven\u0163ie urban\u0103 coerent\u0103, poate prea pu\u0163in cunoscut \u015fi mediatizat. De\u015fi la o scar\u0103 redus\u0103, principiile strategiei urbane implementat\u0103 de Snozzi pot fi aplicate \u015fi la o scar\u0103 urban\u0103 mai ampl\u0103, acolo unde se dore\u015fte o interven\u0163ie adaptat\u0103 la context, \u00een respect fa\u0163\u0103 de trecut, dar ancorat\u0103 \u00een nevoile prezentului. Monte Carasso este o lec\u0163ie a unei planific\u0103ri urbane reu\u015fite, desf\u0103\u015furat\u0103 de-a lungul a trei decenii, dar \u015fi o important\u0103 contribu\u0163ie la cultura arhitectural\u0103 european\u0103[1]<\/a>.<\/p>

Contextul: Luigi Snozzi \u015fi modernismul bine temperat<\/strong><\/p>

\u00cen a doua jum\u0103tate a secolului al XX-lea, percep\u0163ia arhitecturii europene asupra epocilor anterioare s-a schimbat treptat, ca un r\u0103spuns la transform\u0103rile ireversibile care au avut loc \u00een multe ora\u015fe europene, unde cl\u0103dirile vechi au fost \u00eenlocuite cu altele noi. De aceea, \u00eencep\u00e2nd cu anii 1980, s-a dezvoltat con\u015ftientizarea importan\u0163ei dimensiunilor temporale \u015fi sociale ale arhitecturii. Timpul a demonstrat c\u0103 abordarea pragmatic\u0103 a arhitecturii moderniste poate conduce la apari\u0163ia unor spa\u0163ii simpliste \u015fi f\u0103r\u0103 personalitate, ce nu ofer\u0103 prea multe op\u0163iuni habitatului uman. Acest lucru a condus la apari\u0163ia unei mi\u015fc\u0103ri arhitecturale critice, ca o reac\u0163ie de protest fa\u0163\u0103 de arhitectura func\u0163ionalist\u0103, care nu \u00ee\u015fi putea satisface \u00een practic\u0103 exigen\u0163ele democratice utopice[2]<\/a>.<\/p>

Unul dintre aceste curente este regionalismul critic, v\u0103zut ca un mod de abordare al arhitecturii ce se str\u0103duie\u015fte s\u0103 contracareze lipsa de identitate a locului \u00een arhitectura modernist\u0103, prin utilizarea \u00een proiectarea unei cl\u0103dirii a datelor oferite de contextul geografic, istoric \u015fi cultural a zonei \u00een care se va construi.\u00a0Regionalismul critic (\u00een sensul \u00een care a fost el utilizat de c\u0103tre teoreticieni de arhitectur\u0103 precum Kenneth Frampton \u0219i, al\u0103turi de el, de Alexander Tzonis, cunoscut pentru dezvoltarea g\u00e2ndirii moderne de arhitectur\u0103 \u0219i pentru introducerea ideii de regionalism critic), implic\u0103 \u00een mod necesar o rela\u0163ie dialectic\u0103 cu natura \u015fi cultura unui loc, mult mai direct\u0103 dec\u00e2t tradi\u0163ia abstract-formal\u0103 permis\u0103 de arhitectura modern\u0103 de avangard\u0103[3]<\/a>. Este evident c\u0103 orientarea modernist\u0103 de tip tabula rasa<\/em>, a favorizat aplatizarea terenului \u015fi a oric\u0103ror denivel\u0103ri ale peisajului (fie el natural, urban sau cultural), \u00een vederea ra\u0163ionaliz\u0103rii procesului de construc\u0163ie, prin crearea unei matrice a sitului c\u00e2t mai economic\u0103. Parafraz\u00e2ndu-l pe Frampton, se poate spune c\u0103 nivelarea ideologic\u0103 sau fizic\u0103 a unui sit (prin eliminarea neregularit\u0103\u0163ilor topografice sau prin d\u0103r\u00e2marea cl\u0103dirilor existente), \u015fi transformarea sa \u00eentr-un teren plat (la propriu \u015fi la figurat \u2013 nivelat<\/em> fiind \u015fi de istoria, memoria \u015fi caracteristicile sale specifice), este \u00een mod clar un gest tehnocratic. Aceast\u0103 angajare \u00een actul de cultivare<\/em> a sitului, denot\u0103 aspira\u0163ia conceptual\u0103 a moderni\u015ftilor la condi\u0163ia absolut\u0103 a unui loc f\u0103r\u0103 de loc<\/em> (placelessness<\/em>)[4]<\/a>.<\/p>

\u00cen acest context, arhitectura lui Luigi Snozzi subscrie la nivel formal limbajului modernist, dar propune o abordare a locului \u00een spiritul regionalismului critic. Aceast\u0103 tendin\u0163\u0103 se \u00eenscrie \u00een cadrul c\u0103ut\u0103rilor \u015ecolii de la Ticino, dup\u0103 o modernitate critic\u0103 capabil\u0103 s\u0103 ofere o continuitate istoric\u0103, dar f\u0103r\u0103 a face apel la limbajul istoricist postmodern. Adaptarea proiectului la context pe baza lecturii, \u00een\u0163elegerii \u015fi interpret\u0103rii evolu\u0163iei, caracterului \u015fi specificului acestuia, a constituit pentru Snozzi regula de baz\u0103 al abord\u0103rii oric\u0103rui proiect. Acest aspect, al\u0103turi de ideea unei puternice responsabilit\u0103\u0163i profesionale cu privire la continuitatea contextului, dar \u015fi \u00een ceea ce prive\u015fte protejarea at\u00e2t a mediul construit c\u00e2t \u015fi al celui natural, au reprezentat liniile directoare ale arhitecturii lui Snozzi. Pentru el, raportarea valoric\u0103 la context \u2013 \u00een\u0163eles ca un peisaj<\/em> natural, urban sau cultural \u2013 a fost foarte important\u0103, \u00a0pun\u00e2nd \u00eentotdeauna \u00een discu\u0163ie un context al con\u0163inutului, al fondului \u015fi nu al formelor.<\/p>

Locul: Monte Carasso, la \u00eenceput, o simpl\u0103 comun\u0103\u2026<\/strong><\/p>

Cu mai bine de 40 de ani \u00een urm\u0103, \u00een anul 1977, Snozzi a \u00eenceput lucrul la un nou plan urbanistic director pentru Monte Carasso, ce a vizat extinderea \u015fi dezvoltarea localit\u0103\u0163ii, cu p\u0103strarea caracteristicilor arhitecturii locale. La acel moment, mica localitate se confrunta cu riscul pierderii identit\u0103\u0163ii tradi\u0163ionale \u015fi teritoriale, prin \u00eenglobarea sa \u00een \u0163esutul urban al ora\u015fului \u00eenvecinat Bellinzona, \u00een expansiunea sa c\u0103tre ora\u015ful Locarno.<\/p>

Luigi Snozzi a propus o strategie de planificare urban\u0103 care promova utilizarea calitativ\u0103 \u015fi intensiv\u0103 a teritoriului, prin p\u0103strarea integrit\u0103\u0163ii teritoriale a localit\u0103\u0163ii \u015fi prin accentuarea calit\u0103\u0163ilor \u015fi specificit\u0103\u0163ii arhitecturii tradi\u0163ionale.<\/p>

Planul de reglementare urban\u0103, elaborat de Dolf Schnebli, ce era \u00een vigoare la data la care Snozzi a fost invitat s\u0103 fac\u0103 o nou\u0103 propunere, prevedea peste dou\u0103 sute cincizeci de reguli. \u00cen opozi\u0163ie cu acesta, cel alternativ propus de Snozzi avea doar \u015fapte reguli (plus una nescris\u0103), care prevedeau urm\u0103toarele: 1. Fiecare interven\u0163ie trebuie s\u0103 ia \u00een considerare \u015fi s\u0103 se confrunte cu structura \u015fi specificul locului; 2. O comisie format\u0103 din trei exper\u0163i locali este desemnat\u0103 s\u0103 examineze proiectele; 3. Nu se impun constr\u00e2ngeri privind limbajul arhitectural. Formele\/volumetriile propuse, tipurile de acoperire \u015fi materialele nu trebuie supuse nici unei obliga\u0163ii; 4. Pentru a favoriza densificarea fondului construit, sunt eliminate toate reglement\u0103rile \u00een vigoare privind distan\u0163ele fa\u0163\u0103 de limitele de proprietate \u015fi fa\u0163\u0103 de strad\u0103; 5. Indicele gradului de ocupare a terenului este crescut de la 0,3 la 1; 6. \u00cen\u0103l\u0163imea maxim\u0103 a cl\u0103dirilor este de trei etaje. Pentru a permite realizarea unui acoperi\u015f \u00een teras\u0103, este permis\u0103 realizarea unei supra\u00een\u0103l\u0163\u0103ri cu \u00eenc\u0103 2 metri \u00een plus fa\u0163\u0103 de cele 3 etaje; 7. Gardurile aflate la limita dintre domeniul public \u015fi cel privat trebuie s\u0103 aib\u0103 o \u00een\u0103l\u0163ime de 2,5m metri (aceast\u0103 cot\u0103 care a fost redus\u0103 de municipalitate la 1,20m). Regula ad\u0103ugat\u0103 \u015fi nescris\u0103: un proiect care nu respect\u0103 regulile prestabilite, poate fi aprobat de c\u0103tre Comisia de control, dac\u0103 proiectul dovede\u015fte o lectur\u0103 corect\u0103 a sit-ului \u015fi o interven\u0163ie arhitectural\u0103 \u00een consecin\u0163\u0103[5]<\/a>.<\/p>

Primul obiectiv al planului de dezvoltare a fost reamenajarea zonei centrale a localit\u0103\u0163ii, care a devenit amplasament al sediilor diferitelor institu\u0163ii civile \u015fi religioase. Importan\u0163a noului centru ocupat de m\u0103n\u0103stirea renascentist\u0103 Sf. Augustus (aflat\u0103 la acea dat\u0103 \u00een stare avansat\u0103 de degradare), a fost subliniat prin delimitarea unei noi artere de circula\u0163ie inelar\u0103. Traseul str\u0103zii propuse, f\u0103cea trimitere la zidul de incint\u0103 (disp\u0103rut) al m\u0103n\u0103stirii, \u015fi avea rolul de a trasa o limit\u0103 clar\u0103 \u00eentre golul central dominat de volumele m\u0103n\u0103stiri \u015fi bisericii, \u00een opozi\u0163ie cu restul \u0163esutului reziden\u0163ial, a c\u0103rui densificare era prev\u0103zut\u0103 de planul lui Snozzi.<\/p>

Restaurarea, conversia \u015fi restructurarea m\u0103n\u0103stirii augustine s-a f\u0103cut \u00een mai multe etape (1979, 1987-1993, 2009), ce au vizat transformarea sa \u00een spa\u0163ii destinate \u00een principal \u015fcolii elementare, dar \u015fi a unor facilit\u0103\u0163i publice (un spa\u0163iu de expozi\u0163ii \u015fi o cafenea), precum \u015fi la crearea de spa\u0163ii publice \u00een aer liber. Prin ultima interven\u0163ie asupra fostei m\u0103n\u0103stiri, Snozzi ofer\u0103 o veritabil\u0103 lec\u0163ie de construire \u00eempreun\u0103 cu contextul, realiz\u00e2nd o extindere a spa\u0163iilor \u015fcolii \u00eentr-un volum complet nou ce dubleaz\u0103 fa\u0163ada bisericii, deasupra excava\u0163iilor arheologice.<\/p>

Pentru a consolida forma \u015fi statutul noul centru, Snozzi s-a folosit de primele cl\u0103diri proiectate de el \u00een Monte Carasso, printre care s-au num\u0103rat Casa Guidotti \u015fi sediul B\u0103ncii Raiffeisen, ambele construite \u00een anul 1984. Aceste cl\u0103diri au avut rolul de a sus\u0163ine noua arter\u0103 ce delimita centrul, definind fronturile stradale, oferind capete de perspectiv\u0103 \u015fi devenind pivot al schimb\u0103rilor de direc\u0163ie.<\/p>

\u00cen acela\u015fi timp, prin numeroasele interven\u0163ii arhitecturale pe care acesta le-a f\u0103cut de-a lungul timpului, Snozzi a avut ocazia de a pune \u00een practic\u0103 noul regulament urban, de a reformula, \u00eembun\u0103t\u0103\u0163i sau chiar nega prescrip\u0163iile planific\u0103rii urbane \u00eentocmite de el. Prin toate proiectele pe care le-a executat \u00een Monte Carasso \u015fi nu numai, Snozzi a c\u0103utat echilibrul \u00eentre rigoarea formelor geometrice curate<\/em>, specifice stilului modernist al c\u0103rui continuator este, \u015fi conectarea la peisajul \u00eenconjur\u0103tor, prin continuarea subtil\u0103 a caracterului unui loc \u015fi stabilirea unui raport direct \u00eentre edificiu \u015fi context.<\/p>

Pentru perioada anilor 1980 (dar nu numai), proiectul pentru Monte Carasso, a \u00eensemnat un moment special \u00een cadrul dezbaterii critice privind identitatea ora\u015fului \u015fi arhitecturii europene. \u00cen articolul \u201eRezisten\u0163a necesar\u0103\u201d, Cosmin Caciuc afirma c\u0103, \u201einterven\u0163iile lui Luigi Snozzi \u00een satul Monte Carasso, din cantonul elve\u0163ian Ticino, dovedesc dup\u0103 trei decenii pertinen\u0163a unui regionalism critic f\u0103r\u0103 compromisuri, contextual \u015fi durabil.\u201d[6]<\/a><\/p>

Workshop-ul: analiz\u0103, critic\u0103, perspective<\/strong><\/p>

Scopul workshop-ului a fost o analiz\u0103 critic\u0103 a proiectelor de urbanism \u015fi arhitectur\u0103 ale lui Luigi Snozzi din ora\u015ful Monte Carasso. Analiza a urm\u0103rit s\u0103 identifice tr\u0103s\u0103turile arhitecturii tradi\u0163ionale locale, modul de articulare cu elementele de limbaj arhitectural specific modernist, \u015fi felul \u00een care combinarea acestora a condus la integrarea noilor inser\u0163ii \u00een contextul existent (cu o anumit\u0103 specificitate \u015fi caracteristic\u0103 morfo-tipologic\u0103).<\/p>

Obiectivele principale pe care acest studiu le-a avut, au fost: 1. \u00cen\u0163elegerea contextului \u00een care se afl\u0103 ora\u015ful Monte Carasso: clim\u0103, peisaj, materiale locale, tradi\u0163ii locale, mod de via\u0163\u0103; 2. Identificarea elementelor definitorii\/caracteristice ale arhitecturii tradi\u0163ionale locale; 3. Analiza inser\u0163iilor moderne \u00een acest context cu o anumit\u0103 specificitate \u015fi caracteristic\u0103 morfo-tipologic\u0103, \u015fi modul \u00een care aceste inser\u0163ii au reu\u015fit (sau nu) s\u0103 se integreze \u00eentr-un anumit moment din spa\u0163iu \u015fi timp; 4. Critica (pozitiv\u0103 \u015fi\/sau negativ\u0103) a elementelor de limbaj arhitectural specific modernist, modul de articulare al acestora cu elementele caracteristice\/tradi\u0163ionale locale, \u015fi felul \u00een care combinarea tuturor acestor elemente au condus (sau nu) la integrarea arhitecturii noi \u00een contextul existent.<\/p>

Criteriile pe care fiecare echip\u0103 le-a urm\u0103rit \u00een vederea \u00eentocmirii analizei cerute au fost urm\u0103toarele: cele 7 puncte ale planului de dezvoltare urban\u0103 \u00eentocmit de Luigi Snozzi; cum \u0163ine cont (sau nu) de cele 7 puncte fiecare proiect \u00een parte; care este rela\u0163ia dintre cas\u0103, limita incintei \u015fi strad\u0103 (articularea dintre spa\u0163iu\/domeniu public \u015fi cel privat); care este rela\u0163ia dintre suprafa\u0163a parcelei \u015fi cas\u0103 (modul de amplasare pe parcel\u0103, acest aspect fiind relevant \u00een cadrul strategiei de densificare a or\u0103\u015felului); care sunt acele elemente care dau specificitate fiec\u0103rui proiect \u00een partea (rela\u0163ia cu contextul, solu\u0163ia arhitectural\u0103, materialitatea, tipologia planului).<\/p>

Activit\u0103\u0163ile workshop-ului au inclus prelegeri \u015fi seminarii, \u015fi au prev\u0103zut vizionarea tuturor interven\u0163iilor lui Luigi Snozzi din ora\u015ful Monte Carasso, discu\u0163ii \u015fi analiz\u0103 in situ<\/em>, urmate de \u015fedin\u0163e de lucru pe echipe. Workshop-ul s-a bucurat de o extraordinar\u0103 oportunitate: o \u00eentrevedere direct\u0103 cu Luigi Snozzi, \u00een cadrul unei mese rotunde, ce a urmat prelegerii despre istoria proiectului pentru Monte Carasso, sus\u0163inut\u0103 de arhitectul Stefano Moor (profesor la Haute \u00e9cole du paysage, d\u2019ing\u00e9nierie et d\u2019architecture<\/em>, Geneva, Elve\u0163ia).<\/p>

Workshop-ul a avut un evident rol educativ, care a urm\u0103rit at\u00e2t l\u0103rgirea orizontului profesional al studen\u0163ilor, dar \u015fi promovarea unui mod responsabil de a face arhitectur\u0103, cu respect fa\u0163\u0103 de mediu, istorie \u015fi oameni, materializat \u015fi exemplificat prin opera lui Snozzi de la Monte Carasso. Deoarece Luigi Snozzi nu este doar un bun practician al arhitecturii, ci \u015fi un foarte respectat cadru didactic, discursul \u0163inut cu aproape 30 de ani \u00een urm\u0103, cu ocazia investirii sale cu titlul de profesor \u00een cadrul \u00c9cole polytechnique f\u00e9d\u00e9rale <\/em>din Lausanne, Elve\u0163ia, va \u0163ine loc de concluzie:<\/em><\/p>

\u201eNe afl\u0103m ast\u0103zi \u00eentr-o lume a c\u0103rei proprie supravie\u0163uire este grav amenin\u0163at\u0103; simptomele acestei situa\u0163ii pot fi g\u0103site peste tot, iar r\u0103zboiul r\u0103m\u00e2ne \u00eenc\u0103 o realitate structural\u0103 \u00eentr-o societate care tinde spre democra\u0163ie.\u00a0Cred c\u0103, comunitatea academic\u0103 are partea ei de responsabilitate pentru ceea ce se \u00eent\u00e2mpl\u0103. Prin urmare, ea are sarcina de a examina \u00een mod public via\u021ba uman\u0103 sub aspectul moralei sale, \u015fi p\u00e2n\u0103 c\u00e2nd cadrele didactice nu vor reu\u015fi s\u0103 ajung\u0103 la o con\u015ftiin\u0163\u0103 intelectual\u0103 suficient\u0103 pentru a forma cet\u0103\u0163eni responsabili \u015fi activi, pentru a finaliza procesul spre o democra\u0163ie de fond, substan\u0163ial\u0103, aceast\u0103 sarcin\u0103 va r\u0103m\u00e2ne obiectivul principal al intelectualilor \u015fi profesorilor.\u00a0<\/span>\u00cen acest sens, cred c\u0103 scopul \u00eenv\u0103\u0163\u0103m\u00e2ntului de arhitectur\u0103 nu este at\u00e2t de mult acela de a crea arhitec\u0163i bine preg\u0103ti\u0163i din punct de vedere profesional, ci acela de a forma intelectuali critici, \u00eenzestra\u0163i cu o con\u015ftiin\u0163\u0103 moral\u0103.\u201d<\/span>[7]<\/a><\/p>

Organizatori:\u00a0Lect. dr. arh. Andrei Eugen Lakato\u0219,\u00a0<\/span>Asist. dr. arh. Ina German<\/span><\/p>

Invita\u0163i:\u00a0Prof. arh. Luigi Snozzi,\u00a0<\/span>Prof. arh. Stefano Moor<\/span><\/p>

Participan\u0163i:\u00a0Andrada Calenic, Mihnea Caraivan, Dara Colidiuc, Diana Cr\u0103ciun, Alexandru Cuprinsu, Florin Harabagiu, Daria Holostencu, Alexandru Ionescu, Premia Matei, Emanuel Micl\u0103u\u015f, \u015etefana Suveic\u0103, Alexandru \u0162\u00eerc\u0103.<\/span><\/p>

\u00a0<\/span><\/p>

Bibliografie:<\/p>

  1. Debicki, J., Favre, J. F., Grunewald, D., Pimentel, A. F., Istoria Artei \u2013 pictur\u0103, sculptur\u0103, arhitectur\u0103<\/em>, Enciclopedia RAO, Bucure\u015fti, 1998<\/li>
  2. Foster, Hal (ed.), Postmodern Culture<\/em>, Editura Pluto Press, Londra, 1990<\/li>
  3. Frampton, Kenneth, Modern Architecture. A Critical History<\/em>, Fourth Edition 2007, Editura Thames&Hudson Ltd., Londra, 2010<\/li>
  4. Gregotti, Vittorio, Diciassette lettere sull<\/em>\u2019architettura<\/em>, Editura Laterza, Roma, 2000<\/li>
  5. Moor, Stefano, Stefano Moor Architetto<\/em>, Editura Sottoscala, Bellinzona, 2010<\/li>
  6. Disch, Peter (ed.), Luigi Snozzi. Costruzioni e progetti \u2013 Buildings and projects 1958-1993<\/em>, Editura ADV, Lugano, 1994<\/li>
  7. Caciuc, Cosmin, Rezisten\u0163a necesar\u0103<\/em>, Revista Zeppelin, Nr. 79<\/li>
  8. Revista Casabella, Nr. 834, Februarie 2014<\/li><\/ol>

    Note de subsol:<\/p>

    [1]<\/a> Cosmin Caciuc, Rezisten\u0163a necesar\u0103<\/em>, Revista Zeppelin, Nr. 79,\u00a0www.e-zeppelin.ro\/rezistenta-necesara\/
    <\/a>    [2]<\/a> J. Debicki, J. F. Favre, D. Grunewald, A. F. Pimentel, Istoria Artei \u2013 pictur\u0103, sculptur\u0103, arhitectur\u0103<\/em>, Enciclopedia RAO, Bucure\u015fti, 1998, p. 295.
    [3]<\/a> Kenneth Frampton, Modern Architecture. A Critical History<\/em>, Fourth Edition 2007, Editura Thames&Hudson Ltd., Londra, 2010, pp. 314, 327.
    [4]<\/a> Kenneth Frampton, \u201eTowards a Critical Regionalism: Six Points for an Architecture of Resistance\u201d, \u00een cartea editat\u0103 de Hal Foster, Postmodern Culture<\/em>, Editura Pluto Press, Londra, 1990, p. 26.
    [5]<\/a> Extras din Revista Casabella, Nr. 834, Februarie 2014.
    [6]<\/a> Cosmin Caciuc, Rezisten\u0163a necesar\u0103<\/em>, Revista Zeppelin, Nr. 79,\u00a0www.e-zeppelin.ro\/rezistenta-necesara\/
    <\/a>    [7]<\/a> Luigii Snozzi,<\/em> \u201eIntroduzione\u201d, \u00een cartea Stefano Moor, Stefano Moor Architetto<\/em>, Editura Sottoscala, Bellinzona, 2010, p. 3.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

    \n\t\t\t\t
    \n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    \u00cen luna iulie a anului 2017, \u00een localitatea Monte Carasso din Elve\u0163ia, s-a desf\u0103\u015furat un workshop ce a avut ca scop studiului lucr\u0103rilor arhitectului elve\u0163ian, Luigi Snozzi. Workshop-ul a fost destinat studen\u0163ilor Facult\u0103\u0163ii de Arhitectur\u0103 din cadrul Universit\u0103\u0163ii de Arhitectur\u0103 \u015fi Urbanism \u201eIon Mincu\u201d.<\/p>","protected":false},"author":4,"featured_media":5901,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[37,43,38],"tags":[53,51,47,50,48,49,52],"class_list":["post-5833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhitectura","category-context","category-urbanism","tag-arhitectura","tag-contextualism","tag-luigi-snozzi","tag-modernism","tag-monte-carasso","tag-ticino","tag-workshop"],"yoast_head":"\nLuigi Snozzi: despre un modernism contextualizat - Context Design Birou Arhitectur\u0103<\/title>\n<meta name=\"description\" content=\"Luigi Snozzi despre un modernism contextualizat workshop la Monte Carasso Ticino arhitectur\u0103 modernism context\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.context-design.ro\/en\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luigi Snozzi: despre un modernism contextualizat - Context Design Birou Arhitectur\u0103\" \/>\n<meta property=\"og:description\" content=\"Luigi Snozzi despre un modernism contextualizat workshop la Monte Carasso Ticino arhitectur\u0103 modernism context\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.context-design.ro\/en\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/\" \/>\n<meta property=\"og:site_name\" content=\"Context Design Birou Arhitectur\u0103\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-20T15:57:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-21T16:57:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/11\/Poster-Workshop-Monte-Carasso-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1495\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Neic Razvan\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Neic Razvan\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/\"},\"author\":{\"name\":\"Neic Razvan\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#\\\/schema\\\/person\\\/16dd94d1378acdc882717d83a58d6f88\"},\"headline\":\"Luigi Snozzi: despre un modernism contextualizat\",\"datePublished\":\"2021-11-20T15:57:00+00:00\",\"dateModified\":\"2021-11-21T16:57:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/\"},\"wordCount\":2717,\"publisher\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.context-design.ro\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Poster-Workshop-Monte-Carasso-scaled.jpg\",\"keywords\":[\"arhitectur\u0103\",\"contextualism\",\"Luigi Snozzi\",\"modernism\",\"Monte Carasso\",\"Ticino\",\"workshop\"],\"articleSection\":[\"Arhitectur\u0103\",\"Context\",\"Urbanism\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/\",\"url\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/\",\"name\":\"Luigi Snozzi: despre un modernism contextualizat - Context Design Birou Arhitectur\u0103\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.context-design.ro\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Poster-Workshop-Monte-Carasso-scaled.jpg\",\"datePublished\":\"2021-11-20T15:57:00+00:00\",\"dateModified\":\"2021-11-21T16:57:59+00:00\",\"description\":\"Luigi Snozzi despre un modernism contextualizat workshop la Monte Carasso Ticino arhitectur\u0103 modernism context\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.context-design.ro\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Poster-Workshop-Monte-Carasso-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/www.context-design.ro\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Poster-Workshop-Monte-Carasso-scaled.jpg\",\"width\":2560,\"height\":1495},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/arhitectura\\\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Prima pagin\u0103\",\"item\":\"https:\\\/\\\/www.context-design.ro\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Luigi Snozzi: despre un modernism contextualizat\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#website\",\"url\":\"https:\\\/\\\/www.context-design.ro\\\/\",\"name\":\"Context Design Birou Arhitectur\u0103\",\"description\":\"Arh. Andrei Eugen Lakato\u0219\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.context-design.ro\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#organization\",\"name\":\"Context Design\",\"url\":\"https:\\\/\\\/www.context-design.ro\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.context-design.ro\\\/wp-content\\\/uploads\\\/2021\\\/08\\\/context-design-logo-black-x150.png\",\"contentUrl\":\"https:\\\/\\\/www.context-design.ro\\\/wp-content\\\/uploads\\\/2021\\\/08\\\/context-design-logo-black-x150.png\",\"width\":221,\"height\":150,\"caption\":\"Context Design\"},\"image\":{\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.context-design.ro\\\/#\\\/schema\\\/person\\\/16dd94d1378acdc882717d83a58d6f88\",\"name\":\"Neic Razvan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2edfabc318ae4a33935b41f256fb0da2002a69216c7cd9467122ec1e6ec3c6c7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2edfabc318ae4a33935b41f256fb0da2002a69216c7cd9467122ec1e6ec3c6c7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2edfabc318ae4a33935b41f256fb0da2002a69216c7cd9467122ec1e6ec3c6c7?s=96&d=mm&r=g\",\"caption\":\"Neic Razvan\"},\"sameAs\":[\"http:\\\/\\\/www.qsolutions.ro\"],\"url\":\"https:\\\/\\\/www.context-design.ro\\\/en\\\/author\\\/razvanneic\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Luigi Snozzi: despre un modernism contextualizat - Context Design Birou Arhitectur\u0103","description":"Luigi Snozzi despre un modernism contextualizat workshop la Monte Carasso Ticino arhitectur\u0103 modernism context","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.context-design.ro\/en\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/","og_locale":"en_US","og_type":"article","og_title":"Luigi Snozzi: despre un modernism contextualizat - Context Design Birou Arhitectur\u0103","og_description":"Luigi Snozzi despre un modernism contextualizat workshop la Monte Carasso Ticino arhitectur\u0103 modernism context","og_url":"https:\/\/www.context-design.ro\/en\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/","og_site_name":"Context Design Birou Arhitectur\u0103","article_published_time":"2021-11-20T15:57:00+00:00","article_modified_time":"2021-11-21T16:57:59+00:00","og_image":[{"width":2560,"height":1495,"url":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/11\/Poster-Workshop-Monte-Carasso-scaled.jpg","type":"image\/jpeg"}],"author":"Neic Razvan","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Neic Razvan","Est. reading time":"12 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#article","isPartOf":{"@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/"},"author":{"name":"Neic Razvan","@id":"https:\/\/www.context-design.ro\/#\/schema\/person\/16dd94d1378acdc882717d83a58d6f88"},"headline":"Luigi Snozzi: despre un modernism contextualizat","datePublished":"2021-11-20T15:57:00+00:00","dateModified":"2021-11-21T16:57:59+00:00","mainEntityOfPage":{"@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/"},"wordCount":2717,"publisher":{"@id":"https:\/\/www.context-design.ro\/#organization"},"image":{"@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#primaryimage"},"thumbnailUrl":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/11\/Poster-Workshop-Monte-Carasso-scaled.jpg","keywords":["arhitectur\u0103","contextualism","Luigi Snozzi","modernism","Monte Carasso","Ticino","workshop"],"articleSection":["Arhitectur\u0103","Context","Urbanism"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/","url":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/","name":"Luigi Snozzi: despre un modernism contextualizat - Context Design Birou Arhitectur\u0103","isPartOf":{"@id":"https:\/\/www.context-design.ro\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#primaryimage"},"image":{"@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#primaryimage"},"thumbnailUrl":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/11\/Poster-Workshop-Monte-Carasso-scaled.jpg","datePublished":"2021-11-20T15:57:00+00:00","dateModified":"2021-11-21T16:57:59+00:00","description":"Luigi Snozzi despre un modernism contextualizat workshop la Monte Carasso Ticino arhitectur\u0103 modernism context","breadcrumb":{"@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#primaryimage","url":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/11\/Poster-Workshop-Monte-Carasso-scaled.jpg","contentUrl":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/11\/Poster-Workshop-Monte-Carasso-scaled.jpg","width":2560,"height":1495},{"@type":"BreadcrumbList","@id":"https:\/\/www.context-design.ro\/arhitectura\/luigi-snozzi-despre-un-modernism-contextualizat-workshop-la-monte-carasso\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Prima pagin\u0103","item":"https:\/\/www.context-design.ro\/"},{"@type":"ListItem","position":2,"name":"Luigi Snozzi: despre un modernism contextualizat"}]},{"@type":"WebSite","@id":"https:\/\/www.context-design.ro\/#website","url":"https:\/\/www.context-design.ro\/","name":"Context Design Birou Arhitectur\u0103","description":"Arh. Andrei Eugen Lakato\u0219","publisher":{"@id":"https:\/\/www.context-design.ro\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.context-design.ro\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.context-design.ro\/#organization","name":"Context Design","url":"https:\/\/www.context-design.ro\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.context-design.ro\/#\/schema\/logo\/image\/","url":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/08\/context-design-logo-black-x150.png","contentUrl":"https:\/\/www.context-design.ro\/wp-content\/uploads\/2021\/08\/context-design-logo-black-x150.png","width":221,"height":150,"caption":"Context Design"},"image":{"@id":"https:\/\/www.context-design.ro\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.context-design.ro\/#\/schema\/person\/16dd94d1378acdc882717d83a58d6f88","name":"Neic Razvan","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2edfabc318ae4a33935b41f256fb0da2002a69216c7cd9467122ec1e6ec3c6c7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2edfabc318ae4a33935b41f256fb0da2002a69216c7cd9467122ec1e6ec3c6c7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2edfabc318ae4a33935b41f256fb0da2002a69216c7cd9467122ec1e6ec3c6c7?s=96&d=mm&r=g","caption":"Neic Razvan"},"sameAs":["http:\/\/www.qsolutions.ro"],"url":"https:\/\/www.context-design.ro\/en\/author\/razvanneic\/"}]}},"_links":{"self":[{"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/posts\/5833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/comments?post=5833"}],"version-history":[{"count":79,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/posts\/5833\/revisions"}],"predecessor-version":[{"id":6303,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/posts\/5833\/revisions\/6303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/media\/5901"}],"wp:attachment":[{"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/media?parent=5833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/categories?post=5833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.context-design.ro\/en\/wp-json\/wp\/v2\/tags?post=5833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}